The most common statement given to music producer Brian Ena is: “The first Velvet Underground sold for only 10,000, but everyone who bought it formed a band.”
This story brings together the deepest influences from the Velvet Underground, which includes singer-songwriter Lou Reed, guitarist Sterling Morrison, Welsh singer John Cale, and musician Moe Tucker. Together with German singer Nico, they are called a generation of inspiring artists, from David Bovie to Nirvana, Arctic Monkeys, and U2.
Now Todd Haines, a director of Oscar-nominated films, including Carol and I’m Not (about the life of Bob Dylan), has starred in a 1960s band in New York.
Often expected on a split-screen, the film focuses on the sound of music – their musical experiments, their annoying music – and their impact on cinema and avant-garde art.
But with filmmaker Andi Varhol being its manager and sponsor, Haines believes the team did not achieve commercial success or success at the time.
“They didn’t sell the record,” Velvet admits.
“I think we have learned to reject the value of art beyond market success. What is lost in the shadows usually lasts a long time, and what shines and makes the most money in its own. and I find it more difficult. An example is rock’n’roll Velvet Underground.”
Velvet Underground isn’t the only recent film by a famous director about one or more times. In early 2021, British director Edgar Wright released The Sparks Brothers, talking about the musical Sparks, founded by two brothers, Ron and Russell Mael, in the early 1970s.
Summer of Soul, directed by singer Questlow, is a 1969 special music festival in Harlem, New York, featuring top black writers, including Stevie Wonder, Sli, and Family Stone, and Nina Simone, starring released Disney+ acts.
Oscar-winner Peter Jackson will launch a three-part series about The Beatles, called Get Back, on one platform, based on their album Let It Be. Additionally, Becoming Led Zeppelin, which focuses on musical stories and influences associated with the group in 1968, was shown last month at the Venice Film Festival.
The desire of famous directors to record music at that time was determined by the year: they were born in the 1960s or early 1970s.
Haines said, “No doubt the 1960s was a decade with so much energy and vitality that it defied convention and created new opportunities in the air.”
“I’m a kid in our 60s, but even if I have felt in the air, you feel like you have to do something. It’s a very busy time and nothing motivates us anymore. Today, not to say anything about that. The feeling.”
But respecting the work was key to making this film possible, says Variety music critic Chris Willman. Musician Brian Eno often hears the phrase: “Velvet Underground ‘s debut album only sold thousands, but everyone who bought it made a song for themselves.”
Conversations cover deep emotions on Velvet Underground, with singer Lou Reed, singer Sterling Morrison, Welsh singer John Cale, and singer Moe Tucker. Together with German singer Nico, they said they have inspired another generation of artists, from David Bowie to Nirvana, from Arctic Monkeys to U2.
Now selected by Oscar-nominated fans, Todd Haynes, starring Carol and Not Me (about the life of Bob Dylan), has created a music video in New York.
Often based on different lenses, this film focuses on the sound of music – Velvet model music, their inspirational music – and the influence of avant-garde films and contemporary art.
But when Lady Andy Warhol became manager and caretaker, Haynes admitted that the team had not achieved any business progress or major benefits at the time.
“They didn’t buy records at that time,” he admitted.
“I think we’ve learned to think that the value of art is more important than success in the market. Most of the time, it can take a long time to get lost in the shadows. And that’s why the money is “I’ll see a solid example of a V belt Underground rock roll ‘. “
Velvet Underground isn’t the only recent film with a popular director about a band, or band, since. In early 2021, British director Edgar Wright released The Sparks Brothers and looked at Sparks Brothers, founded by two brothers, Ron and Russell Mael, in the early 1970s.
Deadly Souls, directed by singer Questlove, saw a concert in 1969 last year in Harlem, New York, with black stars including Stevie Wonder, Sly, and Family Stone, and Nina Simone, to be shown for Disney + playing.
Oscar-winning Peter Jackson regularly releases the Beatles’ third series, Get Back, based on their 1970 album. In addition, Becoming Led Zeppelin, which focuses on 1968 band stories and music, was launched at the Festival Venice film last month.
The needs of leading musicians for modern music can be recorded: they were born in the 1960s or early 1970s.
Haynes said: “There is no doubt that the 1960s were a decade of energy and vigor to meet the challenge of finding new opportunities in the air for the Velvet Underground.”
“I’m a kid in my 60s and even though I have felt in the air, you feel like you have to do something. It’s a good time and that’s all about controlling those emotions. I can do it. We can strengthen again today. That … “
But respect for the works is crucial in the release of this document, as music writer Chris Willman said.
Despite 2015 Oscar winners Asif Kapadia and Amy Winehouse bringing in $ 24 million (£ 17 million) at the box office, there was a shortage of music. But the green cinema is no longer orange for these types of movies.
Willman said, “I think if these films were broadcast in theaters for the first time, we would call them and ask why they were so big, why the market couldn’t pay for them.”
“Respectfully, the market can handle anything, these films can’t compete with a song or two that will draw an audience within a year.
“The crowd was thinking, ‘Yes, well, I don’t see.’ Now, these are the music I want to be today, in the mirror or comedy today – Velvet Underground. “
Maybe it’s also worth it: The Loss of Soul sells for $ 12 million (£ 8 million) after giving valuable advice for the first time in January 2021. Willman believes he won it as Disney + should be useful, that is, A. a new Beatles customer group.
Velvet said: “A lot of people have signed up for Disney + to watch Hamilton’s work, and it’s not fun to watch other stories. Maybe twice, the Beatles won’t surprise me.”
Music sales, or tickets, are also expected to increase with the promotion of the newspaper, or ‘show a song’ – or ‘found’ in the case of Edgar War right and Sparks. It was released in American theaters this summer and received $ 500,000 (£ 366,000) over the weekend although the release was limited.
In his opening remarks, Wright told Talking Film: “I’ll show those who don’t know Sparks, they’ll be perfect, say, ‘How do I get rid of it? ??'”
Willman said: “It’s disappointing to think that newspapers can show interest in teamwork.”
“For Spark, in particular, it’s like a long story of Cinderella, where they fought for a long time to accept it.
Haynes also hopes to find a new generation of V belt Underground through his newspaper. With their music, their ideas are to inspire citizens in the 1920s.
He explained, “It’s always the same.” “It’s even harder to find common ground today, where food and nutrition laws are regulated.
“It’s a thought that didn’t come from the system, it’s not clear, but it was a thought and a war. It was my idea as a child.
“Ultimately, their legacy is to come up with new ideas, and some artists have created their ideas – I think they are more useful than we can explain.”
